nunia [个人文集]
 
 
 
 
 
  加入时间: 2005/11/04 文章: 2184
  经验值: 5079 
 		 | 
		
		
					  
					  
  | 
					   
			
			
			 
			 
				
  | 
			 
			
				
					
					  
					  
					    作者:nunia 在 寒山小径 发贴, 来自 http://www.hjclub.org
  i'm still procrastinating about my 2005 tax return for the fact that i wish to include this poem as a tip to whoever will be processing my return in IRS. What y'all think?
 
 
CONVERSATION WITH A TAX COLLECTOR ABOUT POETRY
 
 
Citizen tax collector!
 
			Forgive my bothering you ...
 
Thank you...
 
		don't worry...
 
				I'll stand...
 
My business 
 
	    is
 
		of delicate nature:
 
about the place
 
		of the poet
 
			    in the workers' ranks.
 
Along with
 
	  owners 
 
		of stores and property
 
I'm made subject
 
		to taxes and penalties.
 
You demand
 
	   I pay
 
		 five hundred for the half year
 
and twenty-five
 
		for failing to send in my returns.
 
Now
 
    my work 
 
            is like
 
  		    any other work.
 
Look here --	
 
	     how much I've lost,
 
what expenses
 
     	     I have in my production
 
and how much I spend
 
		     on my materials.
 
You know,
 
	  of course,
 
		    about "rhyme."
 
Suppose
 
        a line
 
	       ends with the word
 
				  "day,"
 
and then,
 
	 repeating the syllables
 
				in the third line,
 
we insert 
 
	 something like
 
			"tarara-boom-de-ay."
 
In your idiom,
 
	       rhyme
 
		     is a bill of exchange
 
to be honored in the third line! --
 
				    that's the rul.
 
And so you hunt
 
	for the small change of suffixes and flections
 
in the depleted cashbox
 
			of conjugations
 
				     and declensions.
 
You start shoving 
 
		a word
 
		      into the line,
 
but it's a tight fit -
 
		    you press and it breaks.
 
Citizen tax collector,
 
		    honestly,
 
the poet
 
        spends a fortune on words.
 
In our idiom
 
	    rhyme
 
		  is a keg.
 
A keg of dynamite.
 
		  The line
 
			   is a fuse.
 
The line burns to the end
 
			  and explodes,
 
and the town
 
	     is blown sky-high
 
			       in a strophe.
 
Where can you find,
 
		   and at what price,
 
rhymes
 
	that take aim and kill on the spot?
 
Suppose
 
       only half a dozen
 
			unheard-of rhymes
 
were left,
 
	in, say, Venezuela.
 
And so
 
	I'm drawn
 
		to North and South.
 
I rush around
 
	     entangled in advances and loans.
 
Citizen!
 
	Consider my traveling expenses.
 
-- Poetry --
 
	--all of it!--
 
		is a journey to the unknown.
 
Poetry
 
	is like mining radium.
 
For every gram
 
	      you work a year.
 
For the sake of a single word
 
				you waste
 
a thousand tons
 
		of verbal ore.
 
But now
 
	incendiary
 
		 the burning of these words
 
compared
 
	with the smoldering
 
			   of the raw material.
 
These words
 
	   will move
 
millions of hearts
 
		for thousands of years.
 
Of course,
 
	there are many kinds of poets.
 
So many of them
 
		use legerdemain!
 
And,
 
    like conjurers,
 
		 pull lines from their mouths --
 
their own --
 
		and other people's.
 
Not to speak
 
	      of the lyrical castrates?!
 
They're only too glad
 
		    to shove in
 
				a borrowed line.
 
This is 
 
	just one more case
 
			of robbery and embezzlement
 
among the frauds rampant in the country.
 
These 
 
      verses and odes
 
		     bawled out
 
				today
 
amidst applause,
 
		will go down
 
in history
 
	  as the overhead expenses
 
of what
 
	two or three of us
 
			   have achieved.
 
As the saying goes,
 
		  you eat forty pounds
 
				   of table salt,
 
and smoke
 
	 a hundred cigarettes
 
in order
 
	to dredge up
 
		    one precious word
 
from artesian
 
	      human depths.
 
So at once
 
	  my tax
 
		shrinks.
 
Strike out
 
	  one wheeling zero
 
			  from the balance due!
 
For a hundred cigaretts --
 
			a ruble ninety;
 
for table salt --
 
		a ruble sixty.
 
Your form
 
	has a mass of questions:
 
"Have you travled on business
 
			     or not?"
 
But suppose
 
	   I have
 
		 ridden to death
 
a hundred Pegasi
 
		in the last
 
			  15 years?
 
And here you have --
 
		imagine my feelings! --
 
something 
 
	about servants
 
			and assets.
 
But what if I am
 
		simultaneously
 
				a leader
 
and a servant
 
	   	of the people?
 
The working class
 
		speaks
 
			through my mouth,
 
and we,
 
	proletarians,
 
		 	are drivers of the pen.
 
As the years go by,
 
		   you wear out
 
				the machine of the soul.
 
And people say:
 
		"A back number,
 
				he's written out,
 
				   he's through!"
 
There's less and less love,
 
			  and less and less daring,
 
and time
 
	is a battering ram
 
			against my head.
 
Then there's amortization,
 
			the deadliest of all;
 
amortization
 
	   of the heart and soul.
 
And when
 
	the sun
 
		like a fattened hog
 
rises
 
	on a future
 
		  without beggars and cripples,
 
I shall
 
	already
 
		be a putrefied corpse
 
					under a fence,
 
together
 
	with a dozen
 
		    of my colleagues.
 
Draw up
 
	my
 
	  posthumous balance!
 
I hereby declare --
 
		 and I'm telling no lies:
 
Among 
 
	today's 
 
		swindlers and dealers,
 
I alone
 
	shall be sunk
 
			in hopeless debt.
 
Our duty is
 
	  to blare
 
		like brass-throated horns
 
in the fogs of bourgeois vulgarity
 
				and seething storms.
 
A poet
 
	is always
 
		indebted to the universe,
 
paying,
 
	alas,
 
	     interest
 
			and fines.
 
I am
 
	indebted
 
		to the lights of the Broadway,
 
to you,
 
	to the skies of Bagdadi,
 
to the Red Army,
 
		to the cherry trees of Japn --
 
to everything
 
	about which
 
		I have not yet written.
 
But, after all,
 
		who needs
 
			all this stuff?
 
Is its aim to rhyme
 
		and rage in rhythm?
 
No, a poet's word
 
		is your resurrection
 
and your immortality,
 
			citizen and official.
 
Centuries hence,
 
		take a line of verse
 
from its paper frame
 
		and bring back time!
 
And this day
 
		with its tax collectors,
 
its aura of miracles
 
			and its stench of ink,
 
will dawn again.
 
Convinced dweller in the present day,
 
go
 
   to the N.K.P.S.(*5),
 
		take a ticket to immortality
 
and, reckoning
 
		the effect
 
			of my verse,
 
stagger my earnings
 
		over three hundred years!
 
But the poet is strong
 
			not only because,
 
remembering you,
 
		the people of the future
 
					will hiccup.
 
No!
 
   Nowadays too
 
		the poet's rhyme
 
is a caress
 
	  and a slogan,
 
			a bayonet
 
				and a knout!
 
Citizen tax collector,
 
			I'll cross out
 
all the zeros
 
	   after the five
 
			and pay the rest.
 
I demand
 
	as my right
 
		an inch of ground
 
among 
 
   	the poorest
 
		workers and peasants.
 
And if
 
	you think
 
		that all i have to do
 
is to profit
 
	by other people's words,
 
then,
 
	comrades,
 
		here's my pen.
 
Take
 
	a crack at it
 
		yourselves!
 
(1926) 	
 
From:		
 
Vladimir Mayakovsky the Bedbug 
 
and selected poetry
 
edited with an introduction by Patricia Black
 
translated by Max Hayward and George Reavey
 
  作者:nunia 在 寒山小径 发贴, 来自 http://www.hjclub.org | 
					   
					 
				 | 
			 
		  |